This is part 2 (of 2) of my photos from Karpathos, Greece, you can read part one here. Although our stay was short, I really enjoyed my morning rounds with my cameras. Of course I enjoyed the snorkelling too, but that is a different story. In the previous post I shared my photos with the sea views, this is all about the things you see on land.

M240 with Summilux 50mm
M240 with Summilux 50mm
M2 with Summilux 50mm on Kodak Portra 400
M2 with Summilux 50mm on Kodak Portra 400
M240 with Tele-Elmarit 90mm
M240 with Tele-Elmarit 90mm
M240 with Summicron 35mm ASPH
M240 with Summicron 35mm ASPH
M2 with Summicron 35mm on Kodak Portra 400
M2 with Summicron 35mm on Kodak Portra 400

Some churches:

M2 with Summilux 50mm on Kodak Ektar
M2 with Summilux 50mm on Kodak Ektar
M240 with Summicron 35mm ASPH
M240 with Summicron 35mm ASPH
M2 with Summilux 50mm on Kodak Portra 400
M2 with Summilux 50mm on Kodak Portra 400

A few images (or quite a few) from our hotel:

Minolta Riva Panorama with Portra 400
Minolta Riva Panorama with Portra 400
M240 with Tele-Elmarit 90mm
M240 with Tele-Elmarit 90mm
M2 with Summicron 35mm on Kodak Portra 400
M2 with Summicron 35mm on Kodak Portra 400
M2 with Summicron 35mm on Kodak Ektar
M2 with Summicron 35mm on Kodak Ektar
M2 with Summicron 35mm on Kodak Ektar
M2 with Summicron 35mm on Kodak Ektar
Minolta Riva Panorama with Portra 400
Minolta Riva Panorama with Portra 400
Minolta Riva Panorama with Portra 400
Minolta Riva Panorama with Portra 400
M240 with Summilux 50mm
M240 with Summilux 50mm

All film photos were developed and scanned by AG photolab.

Thanks for reading!

8 thoughts on “The Greek Island Karpathos: Landviews (2/2)

  1. I have been moving back and forth and looking at your film shots vs the digital shots. Let me say that your images are lovely and inspiring even. I asked my wife to look at them with the idea of which images would she feel that she could more readily walk into the scene and she (as did I) chose the film shots. There is just this something about film. And yet I am also awed by the digital work also. I enjoy your work immensely. Your work (to me) has a certain cinema quality.

    1. Thanks Hugh, that means a lot to me. I (often) prefer the film shots too, but I am not sure if that is because I had to wait longer, and the extra effort that was involved. Simply put, I don’t know if I can be objective about it. But digital is very convenient, so I am not quitting my m240.

    1. Thanks for your comment. I have read that it needs more precise metering, but to me the exposure looks fine. But it is probably easier with Portra.

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